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4. Revivalist

by Ada Vale

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  • NOTE: This limited-edition art object is not a playable record.

    Original paintings by Marley M. Rosen
    acrylic on repurposed 12" vinyl.

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1.
Cop Car 05:38
Did you hear that they killed a man with his hands on the wheel? Spilled his paint on the windshield; told the court it wasn't real. Uh-huh. Sha-la. Did you see the way they handled him? Put their hands on his chest. White knuckles in the headlights. "Keep still, son. We know what's best." Uh-huh. Sha-la. Public's gonna pay for your cop car. Public's gonna pay for your cop car. Did you hear that they killed a man? Did the news reach your town? Do you know to defend yourself when the cruisers drive down? Uh-huh. Sha-la. Public's gonna pay for your cop car. Public's gonna pay for your cop car. (Public's gonna pay). Did you know that you killed a man? Did you scrub your hands? Did you even hear the charges when they put you on the stand? Did you even understand?
2.
Rope 05:42
"don't touch me with your broken arm. don't waste your charms. don't touch me. don't touch me with your broken wing. i don't know anything. i swear i don't know anything. don't touch me." (move along) "Stay calm, son. Stay calm, son. There's no need to be alarmed, On my honest arm. Stay calm, son. You don't need me having fun. Don't look away from his eyes, from his eyes. Don't look away. Do you hear the sound of my voice? Repeat after me, son: I am no one. I am no one" (Look away) "i am someone, i am someone, i am someone. don't touch me. don't touch me."
3.
Crowbar 03:48
How did we survive this year? When I close my eyes and look back, all I see is a starless sky on election night. I see a wax man in a wax crown on a wax throne in a very old, stone building. The building is full of very old, stone people making very old, stone decisions. I try not to close my eyes. I try to keep my eyes on the road and remember to look up sometimes. Remember to look up sometimes. But it's hard; it's hard when you're asleep. It's hard to open your eyes when you're asleep. Open your eyes. Open your eyes. Open your eyes. How did we survive this year? Did you flick that switch in your head? Did you switch it on or off? Or did you take a crowbar to the breaker box and open your eyes? Open your eyes. Open your eyes. Open your eyes. Open your eyes. Now, when I close my eyes, I see a riot and a sleeping bag. I see a blizzard and a wood stove. I see a fire-pit. And I feel a hand on the back of my head. I feel a hand on the back of my head. I try not to close my eyes.
4.
Glass 04:15
last words like a tap on the glass boys tap first to the sound of the past to the sound of the curse now the girls tap fast but the boys tap first the boys tap first last words like a tap on the glass on the glass on the glass on the glass on the glass on the glass i heard you tap the glass i heard you make a sound i heard you in my head i heard you in the ground i heard you tap the glass i heard you make a sound i heard you in my head i heard you in the ground in the ground in the ground in the ground last words like a tap on the glass boys tap first to the sound of the past to the sound of the curse now the girls tap fast but the boys tap first the boys tap first last words like a tap on the glass on the glass on the glass on the glass on the glass on the glass i know something i see it coming i've seen all the ways of the day crumbling some would say someone's king someone tell me if i never fell on the night if i was a sinner, if i was a fight then i never would pray cos no one is sending the rain no more rain no one is sending the rain send them away don't want to send them away away send them away away send them away send them away that's enough for one day last words like a tap on the glass boys tap first to the sound of the past to the sound of the curse now the girls tap fast but the boys tap first the boys tap first i heard you tap the glass i heard you make a sound i heard you in my head i heard you in the ground i heard you tap the glass i heard you make a sound i heard you in my head i heard you in the ground in the ground in the ground in the ground
5.
Eleven. Eleven-thirty. I wonder where the words go, eleven-thirty each night. I wonder if I'm with them, away from the sodium lights... And the monsters in the street raising their hands and their weapons. We conjured real monsters in the street. Torches blowing heat, your fire, their fury. Eleven Eleven-thirty. I wonder where the words go, eleven-thirty each night. I wonder if I'm with them, will they join in the fight? I wonder where the worlds go when the sun sets on each one. I wonder if I'd be sleeping under any other sun... When there are monsters in the street, raising their hands and their weapons. We'll conquer real monsters in the street. Torches blowing heat, our fire, our fury. I wonder where the words go, eleven-thirty each night, eleven-thirty each night, eleven-thirty.
6.
No more indecision – What is this about? Did they ever trust you? Are you in or are you out? No more indiscretions – No more birds and bees. Administrator laughing, swinging from the trees, swinging from the trees. No more indecision. I know what it’s about. Afraid to light the candle, afraid to blow it out. Are you afraid? Are you afraid? Are you afraid of the fire? A year ago, I found my dear – part of my dysfunction. No, they didn’t want to die. The mirror broke and left me here – pardon my dysfunction. No, they didn’t want to die, but sometimes, death becomes them. Sometimes, death becomes them. No more indecision. It’s time to take the stand. Time to crash the party with your invisible hand. The mirror broke and left me here – pardon my dysfunction. No, they didn’t want to die, but sometimes, death becomes them. (LABOURED BREATHING & WHISPERS) No more inhibitions dripping from your mouth. Maybe you’ll be different when you find your way out. No more inhibitions stuffed into your mouth. This will all get better when you find your way out. When you find your way out –– (I just want to get closer) (How far will the wires reach?)
7.
I'm filled with the spirit, hanging from my balcony. Watch the priests at the exit sign, hear your voice on the tip-line. I'm filled with the spirit. I'm filled with the spirit. Don't let me sleep alone here tonight, when they call for clouds. Lay with me, we'll stay awake. Turn the music loud, and don't touch the white light. Don't touch the white light. Don't trust the white light. When I stay with the spirits, they let me hang my head. Let me run the engine 'til it's dead... And I'm filled with the spirit. I'm filled with the spirit. Don't let me sleep alone here tonight, when they call for clouds. Lay with me, we'll stay awake. Turn the music loud, but don't touch the white light. Don't touch the white light. Don't trust the white light. Don't call me boy. Don't call me boy. I've known faces, I've been places, I've seen the oasis. Don't call me boy. Don't call me boy, boy. I'm filled with the spirit. I'm filled with the spirit. Are you filled with the spirit? Are you filled with (white light)? Are you filled...
8.
You float into the room where the word came down much too soon, all too soon. And you float right past the moon – didn't you hear him howl? While you were spinning on your fingertips? He called from the road, driving so slow and keeping to his side. Staying in the light. But you saw it all, after all. All the windows are closed. All the strings in my clothes are yours. When he was inside me, you found me on your fingertips. Follow, follow! Arthur, follow! We all know where we all go...
9.
The first time I died, I walked away. I followed the file of limping days. I stood up tall, with my head held up. But I dared not look upon the new moon's cup. I dared not look on the sweet, young rain, for between my ribs was a gleaming pain. No, I dared not look on the sweet, young rain, for between my ribs was a gleaming pain. The next time I died, they laid me deep. They spoke worn words to hallow my sleep. They tossed me petals, they wreathed me the fern. They weighted me down with a marble urn. And I lie here warm, I lie here dry, and watch the worms slip by, slip by. I lie here warm, I lie here dry, and watch the worms slip by, slip by. Lie warm, lie dry. Lie warm, lie dry.

credits

released March 2, 2018

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Ada Vale Toronto, Ontario

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singing stories
of mountain & city
since 2015
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a musical drama
by Marley Rosen (they/them)

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